Elena has taken it upon herself to write this article. Kirin’s hurried agreement may or may not have had something to do with the arrow she was twirling between her fingers as she made the request. But regardless, Elena, everyone!
Ever been on the receiving end of a rescue? Yes? Well, you might have noticed they don’t always go as planned. You know those minor details which tend to crop up. An alert guard. A well defended dragon lair. An absent prisoner off on an escape of her own. Until, of course, the captive ends up in the grip of her captor with a dagger pressed against her throat. Not an enviable position.
Of course, all rescues don’t go like this. There was the time the pompous prince of Athada arranged the capture of his betrothed, then showed up in a scarlet cloak, accompanied by servants bearing silver crystals to record the event. He battled through a dozen apathetic guards before swinging open the door of the poor damsel’s chamber only to be splashed with several bucketful’s of tar rigged up on cleverly disguised ropes. The princess and I, concealed back at her father’s castle in perfect innocence, laughed over the transmission of the prince face for the rest of the night.
But, admittedly, not many captures are going to end this well.
Avoiding capture in the first place is always a good idea. Not as if we’re always given that option. But there are some things a girl can do. Like not disobeying a father or other authority and deciding to venture out the dangerous dark alone. I’ve nothing against a bit of danger, but if you slip off on your own in some rash attempt to prove your skills, you are practically asking to be captured.
And as for valid captures, the reasons aren’t limit to kidnapping a princess and bringing her to a castle in the hopes that riches will sway her to marry her captor (I mean, if she does agree, is that the sort of woman any man is going to want?) or to evil generals who want a ransom or a pressure point on his enemy (which is completely unfair to our friends, even if it’s not our fault, and we ought avoid this capture if at all possible, even if it means sacrificing some of our own freedom and staying safe).
But we woman are also captured for other reasons unconnected with the desire of our hand in marriage or the capture of those who love us. As messengers. As spies. As slaves. Or even intentional captures to manipulate the enemy from the inside.
Anyhow, readers of common stories sometimes expect their captives to act in an exasperatingly simple way. Now if you what to enhance this view of yourself, there are a few pointers you can follow:
- At least several times.
- Huddle in a corner. Preferably while crying.
- Make no effort to move (actually, the dead-weight tactic is a great passive-aggressive technique for many angles of behavior)
- Refuse to tell your captor anything, while clearly showing your answer through facial expressions (another way to trick your captor, if you are good enough at it).
- When your rescuer comes and gets in the inevitable fight with your captor, stand to the side and scream, ignoring the any weapons at your disposal (really not the best option since, at this point, it’s probably do or die).
- Basically, have no more use than a delicate golden curtain.
However, waiting around for rescue isn’t always a viable option. And there are many things a woman can do to while away the time and try to escape.
The first thing is establish your value, because on that depends your own safety and how far you can go before you press against the limits of your captor’s goodwill. If you’re being held by a prospective suitor or someone who needs you alive for a ransom, you can have some fun. Pranks on guards. Riddles. Sarcasm and insults. Of course, gauge yourself carefully. It would never do to be placed under stricter guard because you’re merely being annoying. If you’re being held by a slave driver or as a spy…it’s probably a good idea to shut up and make the least noise you can. Or maybe the most noise. It depends a lot on your guards and your captor’s personality. Each situation is different.
But, whatever the case, there are a handful of personalities one can choose and use to the full:
- The tearful princess: basically acting as weak and helpless as you can while preparing for one sudden push. This can be quite fun to reenact. The hard part is not laughing at everyone’s looks of disgust while you sob or pretend to be so delicate you can’t even walk on the rough ground.
- The steady maiden: take it all in stride. Keep informed. Don’t show much fear, but don’t show how much you know either. Act like everything is normal. The confusion this causes can be hilarious as well, though you will probably be watched fairly closely.
- The defiant damsel: insults, sarcasm, pranks, either with brazen triumph or practiced innocence. You can say what you want, demand what you want. Also quite fun to act. Of course, you’re likely to be kept under a fairly heavy guard, but you’re also likely to get some of the things you need for an escape.
- Using two or even three layers of personality can also give you some good results.
Also, always remember that persistence pays off. Want a view of the courtyard or extra sheets to tie together for a rope? Ask and plead and cajole until your captors are so annoyed they give in. You can veil your reasons in foolish girlishness, guilt your captors, or use hard brazen logic. Again, it all depends on the mood of your capture.
Conceal anything which could be used as a weapon in your clothing. And be prepared to use it. Especially in aid of a rescuer.
Finally, help your rescuer in any way possible, leaving behind clues. If you happen to escape, tell others as soon as possible so your rescuer doesn’t fall into your captor’s clutches and the roles reversed. It’s always very inconvenient when that happens, believe me.
Have any questions, legends, or trending cliches you’d like Kirin Quillblade (or Elena) to address? Please comment below; he promises to at least read what you have to say between his realm leaper’s missions, even if he holds the rights to choose what to write about and what to ignore.