Years ago, Scarlett made two friends: Elena and Kirin. They are realm leapers who take it upon themselves to test how realistic fictional settings, tropes, and cliches are. I firmly believe they put themselves in this much danger solely to make fun of it once they escape. Not something I’d recommend, but today you get to benefit from their rashness. Or rather Kirin’s rashness in investigating dragons up close.
Hello and listen. Carefully. Continue reading
Years ago, Scarlett made two friends: Elena and Kirin. They are realm leapers who take it upon themselves to test how realistic fictional settings, tropes, and cliches are. I firmly believe they put themselves in this much danger solely to make fun of it once they escape. Not something I’d recommend, but today you get to benefit from their rashness. Mainly from Elena’s adventures.
My dear fellow women who have the misfortune of being cared about by someone deemed important,
Firstly, I want you to know you’re not bait. There may be some advantages to going along with all that nonsense and more on that in a bit. But I want you to know. Continue reading
How do you ensure your story doesn’t take place in a blank room? Or a blank forest or castle or city as the case may be?
Too much description and your reader’s eyes glaze over. Too little, and they don’t know what is happening. Except, the amount of description is rarely the problem.
Strong description isn’t about the length of the description. Rather, it’s about how you go about describing the particular item, setting, or person.
I sometimes don’t know which comes first.
The character I’m writing who I suddenly realize is dealing with struggles I relate to. Or struggles of my own that I see more clearly because one of my characters decides to deal with them in their own way.
Unlike characters in books, however, I don’t go through a wild adventure in a week’s time that overcomes my flaws at once.
“There are three rules of survival in the Walled City: Run fast. Trust no one. Always carry your knife.”
Jin is living off the streets and her own speed while searching for the sister her father sold into slavery.
Dai tries to escape his past even if that means running drugs for the ruthless kingpin who holds the city in sway.
Mei Yee has been trapped in a brothel for two years, until freedom is nothing more than a dangerous dream.
There’s no single ‘perfect style of writing.’ Everyone connects to words a little differently, and what grips me may not grip the next person.
Be that as it may, one of my personal passions in both writing and reading is building a deep emotional connection between the reader and the character. One of the main ways I do this is by developing a unique voice around an already distinct character.
It isn’t a new idea. It isn’t revolutionary.
But it bears repeating.
As Christians, we should not sit down to create the next great Christian piece of art, be it a book or painting or movie. It’s a terrible idea and if that’s all we have to go on it will end up stilted, cringy, and dull as a rusted coin that’s lain in a gutter all winter.
“Time flies when you’re plundering history.”
Or when you’re reading Invictus. I haven’t read many time travel stories. But most of the ones I have read (or, in this case, watched) are fun but always leave me poking at plot holes.
When I read something I love, I can’t just enjoy it. I have to study it. Pull it apart to see what worked. Put it together again just to see if I can do it too.
It’s how I process and it’s how I learn. And it’s something I did recently with a new favorite series, Red Rising. Continue reading
Do you ever love something so much you actually hate it?
Example: Amazing book. Tears out your heart. Shreds it with sharp fingernails and hands it back to you with a serving of thematic truth, raw emotions, and a glaze of carefully crafted prose and self-doubt. Continue reading